moondust.we live in a world where our lungs are black and outlined with angry streaks of red. we plant diseases and destruction in the holes of our stomachs and watch them grow they shoot up fast and clog up our throats with ashy leaves.our fingernails are ripped, jagged edges digging into pale skin and leaving white hot lines in their wake. our wings are crumpled, feathers bent and pressing into the expanse of our backs they're the weights on our shoulders, and there's no space left for anything else.your tongue is cracked and so is mine. words no longer form, sounds no longer rise. dreams and wishes fall into the cracks as nig
the hungry look...the hungry look,the wolves weaving throughand around the gully of your throat like wraiths,we can feel you rusting, lost one;i know that drainpipes and fendersbegin to crackle after winter wetand that there’s a touch of snowin all of us,but no one,no one could hold you as tightly as you do,your whole body, bloodless in this arrest,and if you will not let your fetters showi will show youthere’s a place for going, and you haven’t gone there yet;where quantum particles, once in contact, can retain a connectioneven when separatedwhere youwander up to a strangerwith your shirt inside-outand say &lsq
Liquid Cityhere, at the bottom - lovers.there are lovers disassembling themselveslost in and to thedesperate motion in of - waves. - did you think the continentsmoved themselves? see them slip,in an open sleep. less go, come. come and, and - again. tremblinghere, at the bottom - their eyes are lightless. hollow bodies leftrestless, the sea does not sleep.
the back of your head against my washed pillowcaseI find itdisconcertingthatyou are the Kingof my own Head& that I amsubjugatedby my owntemptationMy bones, yourwelcome mats,cushionedto your insatiablesatisfaction--I find thisdiscomforting,your constantrebirths in mylibido, despitethree years ofsilent therapy,false recovery& worshipping the wrong godsyou are the best musefor struggling artistseverywhere & worstcase of the bubonic plaguesince the bubonic plague--I find youdisenchantedin the middleof any where,peeling flesh,lulling sullensirensongs at3AMI shot a flockof phoenixes& ate Adam'spoison apple
tree, fiddler crabIt took days to hollow out the soft partsof the trunk, dig out the tree-flesh and sap, polish the raw wood so that when he sat, there would be no splinters. He carved his nameinto the side, like a blessing, a declarationof good fortune, and stowed his forest inside.
The Cat on the PorchYou asked me why I do not believe in ghosts,celestial at four in the morning. It becomes the common hour,not a biting static shock in the eye veins like I anticipatedbut dangerously vogue and precious like a real diamond ring or sapphires on your breast.No wood pecking or oil teasing or misshapen duck bills bleatingjust clay, but lighter, lightestand brightseductive and crestfallen.They bled Peter and Pangloss over a river.I was wearing white for the funeralhumming 'home', the matronly letterssoothe meclotheshorses and moonlight,Mayan jewellery in my cabinetthe mother tongue kissing my molars better But then there
Harvest MoonThree a.m. moonlightacross lazy dust motes; atree scrapes the window.Your arm weighs on my hip likewhispered promises of love.
AntiquatedYour rose petal hips Will always demur To your ivory lace slip,The stockings climbing High on calves and thighs Like a garden trellis Near the blooming soul Between your open legs,The place where he Could love you the most
starspunobserving the romanticismof hooded cemetery kids,smoking cigarettes pretendingthey are not dead.you were always so sureabout my uncertainty,you watchedall my pick up linesdrop things.we built the heatof the evening from the solidityof starlight,pretendedthat two teens at the park at midnightis the stuff of teen novels (cliches dim onour leaf-gold horizon)your eyes darted from the gray expanseof the churchyard & wanderedin thoughtfulpaths.i wanted to ask youif i could follow. shovethe words aside &remember that i came here alone.i remember our innocence in the static b e t w e e n stars
WakeWaketo gather friends, family, and spousesaround that humble opposite of the Christmas tree,the embalmed corpse.It's brilliant to be therein the first place, to acknowledgethe importance of passing -and better still to call the thing a wake,as though there is hope in the hollow homeand shining windows,in the trees and the wind and the roaring night,that something may happento undo slow deathsand restore old sight.
despondenti."are you sleepy today?""yes.""but you were sleepy yesterday.""i know."ii.she stirs her pomegranate green-tea until it turns from clear to purplesetting it on her bedside table and climbing back into bed again.her fingers follow the bluer-than-usual constellation veins on her wrists and downto the freckle on her forearm and then the scar on the inside of her elbow crossing the tendon as if it were crux.and then she remembered that God hasn't been with her lately.iii.today is long and sunny but when she steps outside the humidity creaks her bonesand her skin starts to inflame.she assumes that if getting the mail
the tease of Earl Greywhen leaves speak they rustlebut shan't talk of lost cattleout of bags like cats lyingpurring perhaps stirringgainsaying the languageof pictures - much fewerthan one thousand wordswhispered soft - softerours to read intoby catching a hint ofsome spiciness breweda sugaring of love -or upcoming dangera giving or takingfrom whom in this strange landonce was a strangerby this chance assessedthrough one's cup or glassdarkly lit yet it befrom wet leavings of teahopefully let it bethe sugaring of love -llp - dA - jan2013DD - feb1/2013
crystallophonethere is a punchcard sinlike a queen of spades smoldering in an alley.Engine,you hear how the gears churn,singing faster than we did beforeback when black magic dropped like apair of socks from the sky with suppliestaped to a note that said(oh, look at you now)'U.S.A.,freedom.'such a beautiful brain:whatwhat girlruns on gasoline?have a gallonor we can call it a balloon,and a new pair of glassesfor your tapered eyes(you peel the bark back on the logs,darling,but you're not sure what you see),and life says,either nail jello to a tree,successfully,or keep youricicles hanging from the eaves,ca
for onceColdblackemptylike the cavern where crimson vellum once residedDrenched in reticence,your empty blue eyes do nothing but freeze the blood in these veinssurrounded by phantoms, i lie in the dark next to your fading silhouettebetween sheets that hold so many memories,they are empty,like the chestnut eyes that bore into yoursAnd as the rain falls harderas it falls fasterwashing down the streetsthrough deep alleys,down endless roads,foroncejustoncei pray it takes me with
a second skeletoni. introductioni was born 4425 miles away from here.my heart still lingers there.i don't want to have it back.i go through the motions, don't ask me for emotions.i once thought i could be happy,my mistake can be forgiven;i was so much younger.now i know betterthan to expect anything.because the only time you can lose,is when you love something.that's why i love myself.
cliffcliffe.bojnowskion velvet roads,I impale a belated dawn with my incisors andshiver with perfect leaves-I have no qualms with the dark hillsthat slope and stagger into a bed of scorched fly husks:wherethe thrum of the groundmelds with the rapids in my clairvoyant ears.